You're probably already tracking production in something. A mix of spreadsheets, shared drives, email threads, and Slack messages that made sense at the time. But can you see your current setup's cost?
You're already spending:

"I knew that if I brought in a new tool, I needed to address a need that hadn't been identified by the core team already in place. The main challenge right away was not to constrain them."
Audrey Tondre, Production Director
These aren't assumptions. They're patterns we see consistently across studios that switched to Kitsu:
Communication with remote studios have been simplified. We can discuss a specific asset or task without exchanging 10 emails. If we have any doubts, we can rely on what is indicated on the platform.
With Kitsu, people think first about the time saved but what matters more to me is the serenity you get by having everything in order. It gave you more space in your brain to focus on other elements of your production.
When you work on a 52x11' series, you have to deal with an insane amount of deliveries. Fortunately, with Kitsu, everything was running smoothly.
You don't need a finance degree. Start here:
| Waste Category | Estimate | Your Studio |
|---|---|---|
| Coordinator hours on status updates (hrs/week × hourly rate) | ~6 hrs × €40 = €240/week | |
| Rework from version errors (hrs/week × artist rate) | ~4 hrs × €35 = €140/week | |
| Freelancer onboarding overhead (hires/month × senior time) | 2 hires × 3 hrs × €50 = €300/month | |
| Delayed delivery penalties or reshoots | Varies | |
| Monthly hidden cost (conservative) | ~€1,700–€2,500+ |
A Kitsu subscription starts well below that figure, and the efficiency gains tend to grow as your team builds habits around the platform.
Kitsu isn't just production tracking software. It's a single source of truth that eliminates entire categories of communication overhead:
Every feature exists to recover time.
If you're building a business case for your studio head or finance team, here's the short version:
The math usually resolves itself. How long can you afford to wait?

"A few days are enough to understand all the features required to run a production. Everyone in the studio starts quickly, especially artists who really enjoy Kitsu. We didn't notice this enthusiasm with the previous tools we used."
Carole Faure, Production Manager